Sing with BCS!

Basildon Choral Society holds rehearsals on Wednesdays at 7.45pm at St Gabriel’s Church, Pitsea.

Are you a budding Pavarotti? Fancy yourself as the new Russell Watson or Katherine Kenkins? Or perhaps you just enjoy a sing in the shower?

Come along and enjoy some fabulous music in the company of fellow singers of all abilities.

Everyone welcome.

Spring Concert 2013

Philip Ledger: Requiem

John Rutter: Requiem

Saturday 20th April 2013

7.45pm at St Martin of Tours, Basildon

Excerpt: Jenkins’ Stabat Mater

Excerpt: Dvorak’s Mass in D

CONCERT: Gloria! BCS’s Annual Carol Concert

Gloria: BCS's Annual Carol Concert

Basildon Choral Society in concert

Steve Nice has pressed CDs of both the Gößweinstein and Kraftshof concerts. As a taster, listen to the samples below:

Locus iste – Gößweinstein

The Lord’s my shepherd – Gößweinstein

The bold grenadier – Kraftshof

If you are interested in buying one or other CD recordings, email Steve Nice.

Amazing choir (Perpetuum Jazzile) uses their hands to simulate storm

The thing I love about singing with choirs is the phenomenal range of music, styles and singers. Take a look at this choir, Perpetuum Jazzile, Slovenia’s only jazz choir, simulating a storm with their fingers, hands and feet, before leading into a chorus with strong African themes.

The Choral Public Domain Library

Buried away on the internet is an absolute treasure trove of choral music. Accessed through a wiki page, the Choral Public Domain Library, which was started in 1998, permits unrestricted downloads of free music. For instance, since we first performed Gounod’s Stabat Mater, using copies photocopied with the permission of the British Library, someone has taken the time to enter the entire score via a music editor to allow choirs to download it for free.

A quick look at Rachmaninov revealed four versions (!) of Bogoroditze Devo, all in nice clear print.

Take a look – and see if you can find a hidden gem for BCS or the BCS Small Choir to sing.

POLL: E-ticketing

Gabriel Fauré

FauréExcerpted from Wikipedia, which has a very extensive biography:

Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th century composers. Among his best-known works are his Nocturnes for piano, the songs “Après un rêve” and “Clair de lune”, and his Requiem.

Born into a cultured but not unusually musical family, Fauré revealed his talent when he was a small boy. He was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a life-long friend.

In his early years, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful, holding the important posts of organist of the Église de la Madeleine and head of the Paris Conservatoire, he still lacked time for composing, retreating to the countryside in the summer holidays to concentrate on composition.

By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922 headed by the President of the Republic. Fauré had many admirers in England, but his music, though known in other countries, took many decades more to become widely accepted. His music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Hector Berlioz was still composing, and by the time of his death the atonal music of the Second Viennese School was being heard.

The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations affected the teaching of harmony for later generations. In contrast with the charm of his earlier music, his last works, written when increasing deafness had struck him, are elusive and withdrawn in character.

If you are interested in reading more about Fauré’s Requiem, Wikipedia has a specific page dedicated to his interpretation.

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